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Pianoteq Pro 6 by Modartt (@KVRAudio Product Listing): Pianoteq 6 is an award-winning virtual instrument that can be used both in standalone mode and as an instrument plug-in. What makes Pianoteq different from other virtual instruments is that the instruments are physically modelled and thus can simulate the playability and complex behaviour of real acoustic instruments. By omitting usage of. Preset & Soundbank, Sample & MIDI, Video Tutorial. Production Music Live – Techno Bundle Full Pack DAW & Plugin.

• Latest Version:

  Pianoteq 6.7.0 LATEST

• Requirements:

  Windows XP / Vista / Windows 7 / Windows 8 / Windows 10

• Author / Product:

  MODARTT / Pianoteq

• Old Versions:

• Filename:

  pianoteq_trial_v670.exe

• MD5 Checksum:

  baf226f3f6004fd7deb2d6fdea9cd40b

• Surge vst plugin free download. Details:

  Pianoteq 2020 full offline installer setup for PC 32bit/64bit

Pianoteq is an award-winning virtual instrument which you can install on your computer (PC/Mac). It can be used both in standalone mode and as an instrument plug-in in VST, AAX, and AudioUnits hosts.
What makes the app superior to other virtual instruments is that the instruments are physically modelled and thus can simulate the playability and complex behaviour of real acoustic instruments. By omitting usage of samples, the file size is just a tiny fraction of that offered by other virtual instruments, perfect for use on any modern laptop.
Version 6 of the app brings numerous refinements in its engine and physical model, increasing realism and acoustic presence on all its instruments: acoustic pianos, electro-acoustic pianos, historical instruments and chromatic percussion. It becomes, more than ever, an immense joy to play.
Pianoteq Standard offers unique powerful tools to enhance and modify the sound, such as changing the unison width, hammer hardness and string length. You can place up to 5 virtual microphones around the instrument and load external reverb impulse files. You can upgrade to the PRO version at any time.
Pianoteq Stage is the choice of the budget-minded musician who does not need to modify the sound. Stage includes the same instruments, sounds and playability as in Standard and PRO. You can upgrade to the Standard or PRO version at any time.
Pianoteq PRO is the most advanced version, adapted for the creative composer and demanding studio engineer. In addition to the Standard version, it gives you all the tools needed to work in a truly professional environment, letting you adjust 30 parameters for each note on the keyboard and work with up to 192 Khz audio.
Steinway & Sons have approved the sound and playability of the virtual instruments Steinway Model D and Steinway Model B, which have gained from the refined physical model. These magnificent virtual grand pianos will appeal to all musicians in search of the most famous piano sound signature.
It facilitates your workflow by adding compatibility with the VST3 format and the ARM architecture (Linux version only, for example on Raspberry Pi 3 boards). It includes chord identification, and the tuning section has become even more advanced with new tools. The standalone version now offers a MIDI playlist, an improved MIDI archive, and the ability to export audio to FLAC and MP3 formats, in addition to WAV.
Features and Highlights

• Pianoteq is a physically modelled virtual instrument
• Optional instruments for purchase: upright, grand pianos, rock piano, electric pianos, harp, vibraphones, clavinet, celesta+glockenspiel, xylophone+marimba, steelpans
• Free instruments: KIViR historical instruments collection, bells and carillons.
• Unique adjustable physical parameters, such as unison width, octave stretching, hammer hardness, soundboard, string length, sympathetic resonance, duplex scale resonance.
• Progressive variation of the timbre (uses all the 127 MIDI velocities)
• Control of the dynamics in timbre and volume
• Polyphonic Aftertouch (particularly interesting for the clavichord)
• Realistic sympathetic resonances, including duplex scale
• Microtuning, supports Scala format
• Adjustable mechanical noises (sampled or modelled)
• Built-in graphic equalizer
• Built-in graphic curve for key velocity, note-off and pedal
• Keyboard calibration assistant
• Ten types of pedals (that can be assigned to the four UI pedals): Sustain, Soft, Harmonic, Sostenuto, Super Sostenuto, Rattle, Buff Stop, Celeste, Pinch Harmonic, Glissando
• Progressive sustain pedal, allowing partial-pedal effects
• Convolution reverberations
• Effects: Tremolo, Wah, Chorus, Flanger, Phaser, Fuzz, Delay, Amp, Compressor, Mini-eq.
• Mallet bounce (note repetition)
• Instrument condition (mint to worn)
• Variable lid position
• Five adjustable microphones
• Multi channel - up to 5 channels
• No quantization noise (32-bit internal computation)
• Renders high resolution MIDI formats CC#88 and Disklavier XP.
• Installs and loads in seconds
• Extremely small file size (less than 50 MB)
• Excellent for use on modern laptops
• Extended key range (105 keys = 8+2/3 octaves) for the grand pianos Steinway D and K2

Below you can find few selection of instrument packs. You need a license of the app (Stage, Standard or Pro) to use them.
C. Bechstein DG grand piano
This physical model of C. Bechstein Digital Grand is originally derived from a C. Bechstein D 282 concert grand piano, captured by the acclaimed Teldex Recording studio in Berlin. Authorized by Bechstein, the Pianoteq model reproduces the outstandingly brilliant and powerful sound of the C. Bechstein D 282 with its singing, richly coloured voice, suitable for many different music genres.
Ant. Petrof 275 grand piano
Ant. Petrof 275 Concert Grand Piano is the Petrof company flagship, bringing the authority required for concert halls. It maintains the colorful, romantic and rounded tone which the Petrof instruments are praised for, thanks to first class materials.
Steingraeber E-272 grand piano
Steingraeber E-272 Concert Grand Piano is praised by many pianists as being one of the most distinctive and outstanding instruments on the market today. This physically modelled virtual instrument for the program captures the characteristic Steingraeber sound with a range of presets offering different colours suitable for various types of music.
Steinway Model D grand piano
A Steinway D from Hamburg has served as reference and its main characteristics have been used for feeding the physical model. Each note has been carefully adjusted in its finest detail, just like in a real factory. The result is a stunningly vivid instrument created with the most demanding musician in mind.
Grotrian Concert Royal grand piano
The Concert Royal grand piano by Grotrian is rightly considered to be one of the best grand pianos in the world. Its tone, playing mechanism and construction meet the very highest standards in terms of quality, refinement and perfection – strengths which can be heard and felt all the way back to the last row in large halls and concert houses.
Blüthner Model 1 grand piano
Authorized by Blüthner, this is the world's first physical model of Blüthner's finest grand piano, widely celebrated for use on the concert stage. One of the most popular grand piano models.
Note: Program has to be restarted after 20 minutes.

We currently offer free instruments as part of two projects: 'KIViR' (Keyboard Instrument Virtual Restoration) and “Bells and Carillons”.
The KIViR project contains ancestors of the piano (clavichord, cimbalom, harpsichord), historical pianoforte and pianos.
The Bells and Carillons project contains church bells, carillons and tubular bells.

Below is a detailed description of these.

KIViR instruments

Clavichord

Clavichord: Neupert

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This is a physically modelled virtual copy of clavichord Neupert (1941) which is based on a 'Modell Philipp Emanuel Bach'. It was provided by the Kremsegg Schloss Museum (Kremsmünster, Austria).

The clavichord, invented in the early 14th Century, is a predecessor to the piano and to the more recent clavinet. It is a popular instrument for playing music from the Renaissance and Baroque period, but can in fact also be found in other more modern music styles such as in recordings by Oscar Peterson, Keith Jarrett, Tori Amos and TheBeatles.

Cimbalom

Cimbalom: Kovács

This is a physically modelled virtual copy of cimbalom Balázs Kovács (2007).

The cimbalom belongs to the ancestor psaltery, quoted in the bible. The psaltery was later developed into different variants which differed in sound but were similar in their constructive concept. One of these, the cimbalom, was a constant member of gypsy orchestras. Legs and a damper pedal were soon added to the instrument and it reached the status of concert instrument in the 19th Century, thanks to Ferenc Erkel and Franz Liszt.

Contrarily to the piano, pressing down a key does not lift the corresponding damper. Hence, unless the pedal is depressed, all notes are immediately dampened.

Harpsichords

Harpsichord: Grimaldi

This is a physically modelled virtual copy of a harpsichord by Carlo Grimaldi dating from 1697, copied by Andrew Wooderson (Bexley, 2007). Typical of a short-scaled Italian instrument it has a crispness of attack and transparency of tone that makes it ideal for continuo use, and is also well suited to 17th and 18th Century Italian and German solo repertoire. Its two registers can be played separately or combined together.

Harpsichord: Blanchet

This is a physically modelled virtual copy of harpsichord François-Etienne Blanchet, 'Château de Thoiry' (1733), copied by Anthony Gale (Frampton Cotterell, UK, 1993). It has a very delicate sound, inviting for inspiring musical moments from the baroque period representative by great masters such as Scarlatti, Bach and Händel.

Pianoforte

Pianoforte: Walter

This is a physically modelled virtual copy of an Anton Walter pianoforte.

Anton Walter (1752-1826) was an important and famous Viennese instrument builder. He was a friend of Wolfgang Amadeus Mozart who owned one of his instruments and often used it in concerts. Ludwig van Beethoven also belonged to those who often praised the solid quality. By improving the Viennese pianoforte action, Walter managed to build instruments with a slightly more powerful sound than that of his competitors. The instruments are often used today as models for the construction of authentic copies.

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Pianoforte: Schöffstoss

This is a physically modelled virtual copy of pianoforte Donat Schöffstoss, 1812, recorded at Schloss Kremsegg, A-4550 Kremsmünster, Austria. Schöffstoss offered the delicate Viennese action which gives it a slightly gentler sound than the more sturdy English variants.

Pianoforte: Schmidt

This is a physically modelled virtual copy of pianoforte Johann Evangelist Schmidt, Salzburg about 1790, recorded at Handelhaus, D-06108, Halle, Germany. This hammerflügel variant became appreciated by the contemporaries because of its beautiful and even sound, its outside elegance and affordable price.

Pianoforte: Schantz

This is a physically modelled virtual copy of pianoforte Johann Schantz, Vienna, ca 1790, recorded at Schloss Kremsegg, A-4550 Kremsmünster, Austria. Like many other fortepianos of its period, it is very lightly constructed and has much smaller hammers and thinner strings than a modern piano. Beethoven described it as good and durable and he recommended them to his friends.

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Pianoforte: Graf

This is a physically modelled virtual copy of pianoforte Conrad Graf, Vienna, 1826, recorded at Schloss Kremsegg, A-4550 Kremsmünster, Austria. The Graf pianofortes were held in high esteem, and soon were considered the greatest and most renowned in Vienna and throughout the empire. Beethoven was particularly fond of these.

Grand pianos

Grand piano: Pleyel

This is a physically modelled virtual copy of grand piano Pleyel, model F (1926). Chopin preferred to compose and perform on Pleyel pianos and it was also used by other major composers, such as Debussy, Ravel and Stravinsky. The Pleyel sound can be described as round, warm and sensual.

Grand piano: Erard

This is a physically modelled virtual copy of piano Sébastien Erard, a half grand (2 m), serial number 109 933 (1922). It has an extraordinary warm and coloured sound with lots of charm, and is equipped with a very delicate una corda pedal. We tried to be as close as possible to the original instrument, including some small 'defaults' in the bass strings. The instrument suits naturally well for Liszt who loved playing on Erard.

Electro-acoustic

Electro-acoustic piano: CP-80

This is a physically modelled virtual copy of an electro-acoustic Yamaha CP-80, serial number 1982. The CP-80 was a very popular stage piano at the time (1976-1985) with a unique sound and with an authentic grand piano action. It was marketed by Yamaha as a touring friendly and electronically amplified variant of a grand piano. It was famous for its rock solid quality and considered by many as the 'Rolls Royce' of the electro-acoustic pianos.

Bells and carillons

Tubular bells

This is a virtual copy of a Tubular bells.

The add-on is modelled after a Bergerault 18 Note concert chimes which is made of brass tubes of graded length that are tuned to a chromatic scale. The instrument appeared for the first time in England in the late 19th Century and is ever since part of major symphonic orchestras. The add-on includes 3 variants and has an extended note range: 5 octaves instead of the usual 1½ octave.

Church bells and carillons

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This is a virtual copy of bells and a carillons that were recorded at the European Bell Institute.

The use of bells in the Christian church goes back to the early Middle Ages. A bell is an idiophone, that is, a musical instrument which produces a vibration. The bell is in fact one of the loudest of musical instruments. The sound has the power to bring many mixed feelings derived from our experiences connected to it: joy, happiness, grief, fear, relief, revelation, excitement, amazement.

Special acknowledgments to the following instrument owners:

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• Michel Armengot, France (CP-80)
• Paul Badura-Skoda, Austria (Walter)
• ???, UK (Grimaldi, François-Etienne Blanchet)
• Olivier Cussac, France (Rhodes MK1, Wurlitzer 200A, Clavinet D6)
• European Bell Institute, France (Bells)
• Luigi Gaggero, Italy (Cimbalom)
• Haendelhaus, Germany (Schmidt)
• Monique Niebisch, France (Sébastien Erard)
• Christophe Nebout, France (Pleyel model F)
• Orchestre du Capitole de Toulouse, France (Celesta, Glockenspiel, Marimba, Xylophone, Tubular bells)
• Gilbert O'Sullivan, UK (Carl Bechstein)
• Kremsegg Schloss, Austria (Schöffstoss, Schantz, Graf)
• Pascal Gaillard, France (Steel Drum)
• Marc Guilliou, France (Spacedrum, Hand Pand, Tank Drum)
• Klaus P. Rausch, Germany (Electra-piano, Pianet T)